![]() Although good enough, the 2.36MP viewfinder is inferior to that of the A9 and well behind the brilliant SL finder that many of use know and love. ![]() But Sony has the headwind in full-frame, and professional photographers are moving over from their DSLRs to what most consider to be the best mirrorless alternatives, the Sony A9 and the now-extensive A7 range. And the longer they leave it, the more entrenched Sony becomes.įuji has skipped full-frame and put its money into medium format. But they probably have only one chance to get it right. They have a chance to meet Sony head on and take advantage of their huge following, giving an alternative mirrorless option to Sony. Both companies are now rumoured to be entering the FF mirrorless market year. What of the full-frame mirrorless opposition, other than the Leica SL? Both Canon and Nikon have not so much dropped the ball as never picked it up in the first place. If you want the most recent, sell up and move on to the new camera. Fuji doesn’t shrink from bringing older cameras almost up to the same state of perfection as its latest confections, something which is well recognised and appreciated by Fuji fans. That frequency of hardware update can be annoying for users, but every iteration seems to push the boundaries of camera technology to new levels.Ī negative aspect, of course, is that Sony is often in no hurry to offer exciting firmware updates in the same vein as Fuji and some other manufacturers. There is no denying that Sony is now in the forefront of camera technology and has established an enviable reputation, especially for its full-frame offerings. In terms of scale, it “fits” M lenses much more comfortably than the SL The more traditional controls on the Sony are also a plus point. And we also have to consider that, apart from the boffins, who cares really, particularly if problems can so easily be rectified in Lightroom? The A7III is 25% lighter than the SL and much smaller while offering excellent grip and ergonomics. Whether these same reservations apply to the A7III and the A9 is not well documented, but it is something to look at closely. Received wisdom is that Sony full-frame cameras play well with longer lenses, starting at 50mm, but exhibit some peculiarities when wider lenses (35mm and wider) are used. In the past much has been written about Leica M (and other third-party manual lenses) on the various Sony cameras, starting with the original A7 and A7r. But we come back again to that stabilisation feature which I think is particularly useful with manual lenses. This has to be done every time the lens is changed. With the Sony, the only lens adjustment appears to be the Steady Shot settings sub-menu which allows selection of a focal length. The camera firmware recognises them through the six-bit coding system and, we are told, selects the right profile to iron out peccadilloes. Yet, in comparison with the SL, the Sony doesn’t automatically recognise the lenses and set up profiles there are no easy lists of suitable optics to choose from.Ĭonceivably, Leica’s SL is attuned to almost all Leica lenses and swapping optics is in practice straightforward. The new Sony is the only full-frame mirrorless camera with class-leading stabilisation that can potentially give a five-stop advantage to users of manual lenses. But the four- or five-stop advantage the Sony gives to M-lens shooters is invaluable in low-light situations when ISO can be minimised and useable pictures obtained at unfeasibly long exposures Normally, we wouldn’t attempt this, but it was an exercise to prove the point. Shot with a 75mm Apo-Summicron, hand-held at 1/25s. While in-body stabilisation arrived with the previous A7II, it has been improved for the new model and, together with the many other updates, the A7III appears to be the perfect test-bed for manual lenses. We will be using a range of Leica M and, possibly, other M-mount lenses. There are no autofocus lenses included in the kit, but this is by choice. We have just been given the opportunity to try out a Sony A7III body for review.
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